Tag Archives: Two Lines Press

My Literary jouissance of 2016

This year has been a tough one for many reasons.  It is hard to believe that there could be a “best of” list for anything related to 2016 and I really wasn’t going to bother making a book list.  But Grant from 1st Reading  twisted my arm a bit and I was reminded that if there is one thing that kept me moving forward in 2016 it was the plethora of fantastic books I came across this year.

The French philosopher Jean-Luc Nancy, in his most recent book entitled Coming, explores the French word jouissance (pleasure) and the similarities between sexual pleasure and artistic pleasure.  Sexual jouissance and orgasm are irresistible desires for humans which we can never fully satisfy and thus we are constantly coming back and reaching for The Other.  Nancy argues that even when an artist produces a jouissance in his or her viewers, there is always a constantly renewed dissatisfaction that keeps the artist working again and again.  I would extend Nancy’s argument about renewed desire and satisfaction to include Bibliophiles such as myself who wallow in the aftermath of a great piece of literature.  We, as avid readers, are always attempting to renew that high, that euphoria, that bliss which slowly creeps up on us when we close the last page of a great book.  Some of us, after a good read, might even have the same expression on our faces as Caravaggio’s Ecstasy of Mary Magdalene which is depicted on the cover of Nancy’s book.  So the list of books below were the ones that brought me jouissance this year; or if I may be so bold as to say they were the standout books that caused me to experience a literary orgasm.

coming

Two Lines 25 is published by Two Lines Press and this 192-page volume contains fascinating literature translated from Bulgarian, Chinese, French, German, Hebrew, Japanese, Korean, Norwegian, Russian and Spanish.  What excited me most about this collection is that it introduced me to the philosophy and writings of Jean-Luc Nancy.

The writing of Jean-Luc Nancy is one of my favorite literary and philosophical discoveries this year.  I have read three of his books: Corpus, Listening and Coming.  His philosophy explores what it means to be human and he deals with subjects of touching, listening, desiring and loving.  My review of Coming will be out next month and I have so many thoughts about this slim volume that is only 168 pages.

Oblivion by Sergei Lebedev is a haunting reflection on what life was like for the author during the years of the Soviet Union.  Lebedev’s prose is dense and poetic and so thoughtful that I found myself rereading entire sections of the book multiple times.  I am very excited that Lebedev has another novel forthcoming from New Vessel Press entitled The Year of the Comet.

War Music by Christopher Logue is a book that I dismissed as soon as I saw it in the FS&G catalog because I don’t usually read any time of modern retellings of Ancient myths.  But Anthony at Times Flow Stemmed had such great things to say about it that I decided to give it a try and I am so glad that I did.  I have so many things to say just about the first 50 pages of this book that I am not sure how I am going to handle a review.  I am thinking of doing several short pieces on each section of Logue’s poem.  As far as retellings are concerned, I also discovered Christa Wolf based on his suggestion and I thoroughly enjoyed her Medea and Cassandra.

Seagull Books Catalog.  It’s unusual to find a catalog on a best of list, but the one that Seagull publishes each year is very special.  It includes writing from authors, translators and even bloggers from all over the world.  This year I was invited to contribute to the catalog and some of my favorite literary bloggers also have pieces in the catalog.  Selections from Roughghosts, Times Flow Stemmed,   Tony’s Reading List and of shoes ‘n ships can all be found in this fabulous collection of art and literature.

The Brother by Rein Raud is a fast-paced, hard-hitting, short book that uses the plot structure of a western as an allegory for demonstrating the balance of good and evil in the world. It my favorite title from Open Letters this year whose books are fantastic.

The Noise of Time by Julian Barnes is a skillfully written and poetic novel which serves as a fictional biography of the Russian composer Dmitri Shostakovich. The ways in which he must navigate his life and his art around the Soviet regime are heartbreaking.

The Parable Book by Per Olov Enquist is a true literary book that reads like philosophy, meditation, autobiography and parable. Sometimes we are given a very specific story from the author’s life, other times we are given an unclear stream-of-consciousness narrative, and still at other times we encounter a list of questions that the author poses on an entire page of the book. Enquist gives us the totality of a life that includes pivotal childhood memories, a bout of alcoholism that nearly destroys him, and the reflection of his elderly days during which he is waiting by the river to be taken to the other side. For anyone who enjoys serious literary fiction this book is a must-read. So far the English translation has only been published in the U.K. I am hoping it will also be available here in the U.S. This is a book that I look forward to reading multiple times.

A Lady and Her Husband by Amber Reeves from Persephone Books is a charming and entertaining look into the life of a middle-aged British couple that has been married for twenty-seven years. This book was written in 1914 so it brings up many political and social issues that were relevant at the turn of the last century and which continue to be discussed into the 21st Century. Debates that have taken place during the recent elections in the U.S. have reminded us that women are still paid less than their male counterparts, the minimum wage for workers continues to be too low, and millions of Americans still do not have access to proper healthcare.

Berlin-Hamlet: Poems by Szilárd Borbély is my favorite collection of poetry this year published by NYRB Poetry.  The layers of imagery, references and allusions to great figures like Kafka, Walter Benjamin, Attila József and Erno Szép are stunning. I find it so sad and tragic that the author succumbed to his deep sense of sadness and took his own life.

American Philosophy: A Love Story by John Kaag is another work of non-fiction that was one of my favorites this year.  Kaag’s journey from Hell to Redemption in his own personal life via the 10,000 books in Ernest Hocking’s personal library gave me an entirely new appreciation for American philosophers. Kaag also reminds us of the amazing resiliency of the human spirit and that no matter what we might suffer we must keep moving forward.

 

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Filed under British Literature, Classics, Favorites, Literary Fiction, Literature in Translation, New York Review of Books Poetry, Nonfiction, Persephone Books, Philosophy, Poetry, Russian Literature, Seagull Books

Review: Trysting by Emmanuelle Pagano

I received a review copy of this title from Two Lines Press. This book is also being published in the U.K. by And Other Stories. The book was written and published in the original French in 2013 and this English version has been translated by Jennifer Higgins and Sophie Lewis.

My Review:
trystingTrysting is one of those rare books that defy description it in any sort of a review.  At its core, Pagano’s book presents us with a series of writings in various lengths that deal with the human experience of love.   Her musings in this book range from short, one line epigrams to longer two page narratives that read like flash fiction.  Pagano attempts to capture all of the stages that being in love and having a lover encompass—meeting someone special for the first time, spending time together, learning the habits of another person, breaking up, getting over a lover.  She intersperses within these events things that lovers leave behind like feathers, rubber bands, a bicycle.  Some of the vignettes are shocking, some are tender and sweet.  But at their core, they all try to delineate the mysterious and illusive sensation of love.  Senses—touch, site, smell, sound, taste are all described within the context of love.

The shorter pieces, which are only a line or two, read like epigrams and feel as though Pagano is trying to capture a moment in time between lovers.  They read like a caption on a photograph:

“He sprays a mist of water onto his newspaper to stop the pages rustling as he reads next to me while I sleep.”

“His breathing, even during the day, even when he’s busy doing something, is like that of a person asleep.  Regular and calm.  I like this peace.”

“No one sees what I see when I look at her.”

“He has a serene way of being in silent moments.  I was never afraid of having nothing to say to him.”

The longer pieces, which range from two to three pages in length, read like flash fiction stories and provide a frame for which the reader can fill in the rest of the picture.  In one story, for instance, a couple moves from apartment to apartment, like vagabonds constantly on the move living in different places.  The couple pretends to be interested in renting an apartment and gets the key from the estate agent and spends as much time as they can get away with at each rental: “The estate agents never notice a thing, nor do the landlords.  We make love in their apartments, we sleep in them, we live our shared life in them and it’s as good a life as any.  We change location, move to a different town, everyday.”

In another story, a musician who plays the saxophone is always annoying his upstairs neighbor even though he uses a mute for his instrument.  She leaves him terse little notes and knocks on his door whenever he is practicing.  The only noise he ever hears from her apartment is the dull sound of her squeaking bed when her boyfriend stays over:  “They always screw to the same rhythm, and as far as I’m concerned, it’s definitely screwing, not making love, because it’s always the same dogged, dreary, binary rhythm.”  The musician wants to invite the woman to his apartment and get to know her and introduce her to a whole new world of rhythm: “I’ll tell her to let herself go, be carried by my breath, by my sax, my mouth, my lips, my melody.”

One final aspect I want to mention that is integral to the writings in this collection is their sensual nature.  Pagano manages to represent all the senses and put them in the context of lovers:

Touch: “It was very cold.  I hadn’t put gloves on.  I defrosted my fingers between my thighs before letting them touch her.”

Sound: “I met him when I called a wrong number.  His voice was so lovely, saying I must have made a mistake, that I couldn’t bring myself to hang up.”

Smell: “I used to sniff her all the time.  Odours are always stronger when they’re damp.  Perfumers dampen thin strips of paper to sample their scents.  Dampening an area, an object, or a body helps us to smell it and get to know it fully.  I moistened her all over with saliva to get to know her off by heart.”

Hearing: “The things I miss most are the sounds, the sounds of our love, the noises of lovemaking and sleeping together, the noises of waking up.”

Sight:  “We are getting old.  I like the signs of ageing on him, the wrinkles and folds, the emergence of moles and liver spots.  I wonder if these marks appear all of a sudden or little by little.  I look out for signs of these blossomings.  Tine is pollinating his skin with flowers, with speckles with stars.”

This book is a truly unique literary experience that can be read like a collection of poetry, slowly, a little bit at a time when one has quiet and the mood strikes.

About the Author:
paganoEmmanuelle Pagano has published over a dozen works of fiction, which have been translated into German, Hungarian, Italian and Spanish. She has won the EU Prize for Literature among other prizes and lives in the Ardèche region with her family.

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Subscription Plans: A Great Way to Support Small Presses

In this post I will highlight some of my favorite small and indie presses that offer its readers subscription plans.  By offering subscriptions a press is able to fund upcoming publications and readers get a fantastic discount on books.  These are a few of my favorites and this is by no means an exhaustive list.   I have included links to all presses for those who want more information on each plan.  Please add any additional suggestions in the comments:

new-vessel-subscription-planNew Vessel Press: A subscription of New Vessel books includes all six of their books for the publication year.  Subscribers also get to choose one book from their backlist.  The cost is $80 which amounts to about 25% off of the cover prices.  I haven’t read a book from New Vessel yet that I haven’t enjoyed.  This year’s titles include If Venice Dies and A Very Russian Christmas so this subscription is definitely worth it.  New Vessel Subscription Page.

Two Lines Press:  I embarrassed myself with a gushing review of Two Lines 25, a collection of international writing for which the Two Lines editors have scoured the world.   A copy of Two Lines 25 is included with a subscription and to me that alone is worth the price of admission.  Two Lines is also one of my favorite subscriptions because every year they send some sort of book related gift to their subscribers.  This year is was a package of postcards which all contained quotes from their latest books.  A subscription for 2016 is only $40 ($80 International) and you get four fabulous books.  Two Lines Press Subscription Page

Deep Vellum: This non-profit press offers subscriptions of five or ten books and they also provide a few options with each subscriptions.  Readers can choose both paperback and ebook versions of their books for $60 or the ebook versions alone for $50.  International subscriptions are a bit more pricey at $150.  But Deep Vellum also puts out a large variety of fantastic books that are translated from languages around the world. Deep Vellum Subscription Page.

Archipelago Books: Archipelago is also a non-profit press dedicated to publishing contemporary and classic world literature.  A one-year subscription of print books which archipelago-subscriptionincludes twelve of their titles is $170.  A full-year of ebooks is $70 and a half year subscription for six books is also $70. They provide a lot of choices depending on one’s budget.  Subscribers who are really passionate about their books and want to spend some money up front can also purchase two or three year subscriptions. Archipelago Books Subscription Page

And Other Stories: This is one of my favorite book subscriptions because they offer a recurring subscription.  I don’t have to worry about there being a gap in the books I receive because I’ve forgotten to renew.  I wish that other publishers would follow suit and also do an auto renewal option.  I was very impressed that And Other Stories sent out a lengthy survey recently to its subscribers asking for ways in which they could improve their service.  They also offer a range of options to fit different budgets: 6 books a year for £50 in UK/Europe/USA/Canada (approx $80 US), 4 books a year for £35 in UK/Europe/USA/Canada (approx $55 US), 2 books a year for £20 in UK/Europe/USA/Canada (approx $32 US).  And Other Stories also prints the names of subscribers in their books since it is the funds from these readers that have helped to publish their books. And Other Stories Subscription Page

Open Letter: This small press also specializes in world literature in English translation (notice a theme here.)  One of my favorite books this year,  The Brother by Rein Raud, has been translated from the Estonian and published by Open Letter.  They offer a six month subscription for $60 or a twelve month subscription for $100.  Shipping is free within the U.S. for both subscriptions.  I love that each new release comes with a letter from the publisher which explains the book and how they came to publish it.  Open Letter Subscription Page

Persephone Books: Persephone specializes in reprinting neglected fiction and non-fiction by (mostly) female twentieth century writers.  A friend who has impeccable taste in books sent me a copy of Greenery Street and I have been hooked on their titles ever since!  They offer a six month subscription for £60 or a twelve month subscription for £120.  For an additional fee they will also gift wrap the books.  Subscribers get to choose which books they would like to receive from their catalog of 120 titles.  My husband bought me a Persephone twelve month subscription for my birthday last year and it was delightful to receive a new Persephone title each month.  It’s the gift that keeps on giving.  Persephone Books Subscription Page

nyrbplustpr-450pxThe New York Review of Books:  This press also specializes in reissuing lost classics from different countries around the world.  They call their product a “book club” but it is essentially a subscription service.   For $140 members receive a book every month for 12 months and the membership automatically renews.  For a limited time NYRB is also offering a four issue subscription to The Paris Review when readers purchase a membership.  I can’t get enough of the books from NYRB classics and I might have to buy a storage unit to house all of my books from their catalog.  I will pretty much read anything they publish and $140 is a pretty good bargain for a year’s worth of their books.  NYRB Book Club Page

Melville House: This indie press based in New York publishes a series called “The Art of the Novella.”  They have published classic novellas written by Chekov, Tolstoy, Melville and Woolfe just to name a few.  Subscribers can choose a hard copy book for $12.99 per month, an ebook for $6.99 per month or both for $17.99 per month.  Subscribers are automatically billed monthly until they choose to opt out of the service.  This is a great option for someone who wants to try a subscription and not spend a lot of money.  Melville House Novella Subscription Page

Peirene Press: Peirene specializes in contemporary European novellas and short novels in English translation. All of their books are best-sellers and/or award-winners in their own countries. They only publish books of less than 200 pages that can be read in the same time it takes to watch a DVD. As an added bonus, their books are beautifully designed paperback editions, using only the best paper from sustainable British sources.  A one-year Peirene subscription is £35.00 and members receive a book every four months.  There is also the option to sign up for automatic renewal (UK only). Peirene Press Subscription Page   Peirene has also decided to crowd fund Peirene Now! No. 2 on kickstarter. For a pledge of only £12 supporters will receive a copy of the book which looks like another fantastic and thought-provoking read.  Peirene Now! 2 Kickstarter Page

Pushkin Press: A one year subscription to Pushkin Press is £95.00 and subscribers receive one book each month from the Pushkin Collection, a %25 discount on all purchases from the pushkin-collectionPushkin online bookshop, and a free copy of Stefan Zweig’s novella Confusion.   The Pushkin Collection is a series of paperbacks typeset in Monotype Baskerville, based on the transitional English serif typeface designed in the mid-eighteenth century by John Baskerville. It was litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow, Cornwall.  The cover, with French flaps, was printed on Colorplan Pristine White paper. Pushkin Press Subscription Page

Vibrant Margins:  Ben Winston has started this fantastic subscription service that delivers to its subscribers a variety of books from several different small presses.  According to the website, “Great novels from small presses are out there. Let us find them and deliver them to your doorstep.”  For their debut season they have chosen titles from Dzanc Books, Restless Books, Lanternfish Press, Unthank Books, The Heart and the Hand Press, and New Door Books. Subscribers receive a new book every month and can choose two, three or six books for as low as $15.33 per book.  This is a great way to try a variety of small press books.  I will be reviewing two of the titles from their debut season later in the month and doing a giveaway.  So stay tuned!  Vibrant Margins Bookstore Page

For my next post maybe I will dare to dive into the world of literary magazines!

 

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Review: Two Lines 25 World Writing in Translation

I received a review copy of this title from the publisher, Two Lines Press.

My Review:
two-linesA few times a year I find a book that I rant and rave about and recommend to everyone I know.  I become rather obnoxious with my comments that gush with praise.  I am giving you fair warning that Two Lines 25 is one of those books.  Literature translated from Bulgarian, Chinese, French, German, Hebrew, Japanese, Korean, Norwegian, Russian and Spanish are all contained within the pages of this 192-page volume.  I am in awe of the fact that the editors crammed so many fantastic pieces into one slim paperback (there I go gushing again.)  This is the type of book that everyone needs to experience for him or herself; but I will attempt to give an overview of some of my favorite pieces.

The volume begins with a humorous and absurdist short story written by Enrique Vila-Matas and translated by Margaret Jull Costa.  I have to mention that not only is the English translation provided in these brilliantly collected pages, but an excerpt from each text in the original language also appears on the facing page in a colorful light blue that matches the artwork on the cover.  Vila Matas’s begins his story, Sea Swell, on a jarring and depressing note:  “I had a friend once.  Indeed, at the time, I only had one friend.”  This nearly friendless narrator, who is also completely broke, visits his one friend, Andre, who is living in Paris.  The unnamed narrator is an aspiring writer and Andre graciously agrees to introduce the narrator to Marguerite Duras.  The story becomes increasingly absurd when Duras offers the narrator an attic flat to rent for practically nothing.  But the narrator almost ruins the entire encounter because of his edgy demeanor which due to the two or three (he isn’t sure exactly how many) amphetamines he has ingested.    The expectation throughout the first few paragraphs is that the narrator is an absolute emotional mess and his friend Andres will have to come to his rescue.  But after Andre drinks two bottles of wine at a dinner party hosted by Duras, it is the narrator who has to pull Andre out of the Seine.  Vila-Matas, in the span of a few pages, writes a ridiculously funny tale but one that finishes with unexpected and surprising turn of events.

Russian author Dmitry Ivanov’s writing can also be found within the pages of this brilliant book.  His short story, Where Sleep the Gods, which is translated by Arch Tait, revolves around the Winter Olympics in Sochi and Putin’s strategy to sell the Olympics to the people of Sochi.  The main character in the narrative, a self-proclaimed “creative,” is named Anton and lives a comfortable life in Moscow while working for an ad agency.  Anton is used to dealing with wealthy customers who only demand the best that their money can buy.  Anton’s strategy in dealing with his wealthy clients is to adopt an air of aloofness: “He was accustomed to treating these types in a perfunctory, even insolent manner.  This was not risky, but, on the contrary, the surest approach to respect.”  When Anton is escorted in a private jet to meet a particularly important client he prepares to don his mask of insolence;  but when Vladimir Putin enters the room any and all attempts at smugness instantly dissolve.  Anton is quickly given the task of marketing the Olympics to the Sochians and is whisked off to that city to set up his Olympic headquarters.  What Anton discovers about the Sochians is astute and funny.  After spending about an hour in that city he decides that his slogan will be: “Thieves, because poets.”  You must read Ivanov’s humorous and brilliant story to fully get the joke!

Finally, I would like to discuss a piece in the collection that occupies the creative literary space somewhere between poetry and philosophy.   Nude Enumerated, written by Jean-Luc Nancy and translated by Charlotte Mandell, is a lyrical reflection on the different societal and emotional views and reactions that we have to nudity. The writing reminds me of Pascal Quignard whose philosophical poetry has also been written in shorter pieces which manage to be unexpectedly thought-provoking with only a minimal amount of words.  This was my favorite translation from the collection and the purchase of the book is worth it just for this one piece.  Nancy begins his reflection with a series of antonyms:

Nude: conquered, triumphant; undone, reassembled; lost, found;

undressed, costumed; obvious, indiscernible; shameless, virtuous;

sexed, neutralized.

Nancy proceeds to challenge us to look at different types of nudity that occur in different circumstances; his words make us uncomfortable but at the same time they make us think more deeply about the experiences we have with our unclothed human bodies.  Note also in this passage that Nancy’s asyndeton, lack of connectives like “and” or “or”, emphasizes the complexity of nudity:

Always elsewhere the male/female nude; not here, which welcomes

only clothed people, but over there somewhere undecided  at a

distance, within reach of desire of touching flattering hiding staining.

If you buy one book this month, if you only buy one more book for this entire year then I implore you to make Two Lines 25.  I haven’t even mentioned the poetry and essays that this volume also offers.  I am wondering how the editors at Two Lines go about choosing what literature to include in their collections.  I have in my mind an image of them exhaustively scouring the world in search of only the best of the best.  I don’t know how else they could produce such an astonishing collection.

To read the full index of works included in Two Lines 25 please visit: http://twolinespress.com/two-lines-journal/

About the Editor:
cj-evansCJ Evans is the author of A Penance (New Issues Press, 2012), which was a finalist for the Northern California Book Award and The Category of Outcast, selected by Terrance Hayes for the Poetry Society of America’s New American Poets chapbook series. He edited, with Brenda Shaughnessy, Satellite Convulsions: Poems from Tin House, and his work has appeared in journals such as Boston Review, Colorado Review, Indiana Review, Pleiades, and Virginia Quarterly Review.

CJ is the editor of Two Lines Press, the publishing program of the Center for the Art of Translation, which has quickly grown into a premier publisher of international literature, and he has edited translations of the works of authors like Marie NDiaye, Jonathan Littell, and Naja Marie Aidt. He also edits Two Lines: World Writing in Translation, a bi-annual journal of the best international literature in translation and curates Two Voices, an event series in San Francisco. He is a contributing editor for Tin House, and occasionally teaches, most recently in the MFA program at the University of San Francisco.

Prior to working at Two Lines Press, CJ was an editor at Tin House for 8 years, and worked at the Academy of American Poets. He received his MFA from Columbia University, and his BA from Reed College, where he wrote a thesis on the poetics of American Hip-Hop. He was the recipient of the 2013 Amy Lowell Traveling Scholarship, and currently lives in San Francisco with his wife, daughter, and son.

For more information visit his website:  cjevans.org

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Filed under Literary Fiction, Literature in Translation, Poetry, Russian Literature, Short Stories, Spanish Literature