Tag Archives: Russian Literature

Review: Voroshilovgrad by Serhiy Zhadan

I received a review copy of this title from Deep Vellum Publishing through Edelweiss.  The original title was published in the original Ukranian in 2010 and this English version has been translated by Reilly Costigan-Humes and Isaac Wheeler.

My Review:
VoroshilovgradThis book can only be described as a literary Odyssey, a roaming adventure through the crumbling town of Voroshilovgrad and its surroundings in the post-Soviet period.  The plot offers so much more than Herman’s bizarre story as he attempts to run his brother’s gas station; we are confronted by a poetic journey through the landscape of Ukraine and a up close look at the unique people who inhabit this part of what once was Soviet territory.

The landscape, described in painstakingly detailed and poetic prose, is an important and prominent character in the book.  The gas station is old and falling apart and Kocha, an employee, lives in a trailer out back.  The airport, which is no longer used, is fighting against nature which threatens to take its territory back.  An old Soviet youth Pioneer camp is abandoned but its library which is full of books about Lenin is still intact.  Even the hotel is described as a “partially sunken ship.”  Everyone is trying to survive and somehow carve out an existence despite the decaying world around them.

The most important theme of the book is one of loyalty;  the characters display a remarkable amount of  loyalty to their decaying home and to each other.  The city of Voroshilovgrad technically doesn’t even exist anymore as its reverted back to its old Ukranian name of Luhask.  The place is an odd mixture of past and present: everyone is driving around in old, beat up cars, wearing outdated knock-off designer clothes and no ones cell phone works.  When Herman arrives at his brother’s gas station, the two employees, Injured and Kocha, are mistrustful of Herman because they think that at any moment he will abandon them and go back to his white collar office job in the city of Kharkiv.  Injured and Kocha are faithful employees of Herman’s brother Yura who has mysteriously left town.  Herman calls his brother repeatedly but is unable to solve the mystery of his sudden departure from his life and his business.

Herman intends to stay in Voroshilovgrad for a day or two but the people and the experiences and his sense of responsibility keep him there indefinitely.  Many of the adventures he has are ones that celebrate life and community.  Injured, who once was the start striker on the local soccer team, recruits Herman to play a soccer game against their old rivals, the “gas guys” who live on the edge of town.  The gas guys were transplanted from somewhere in the north and were hired by the government to source natural gas in the area.  Herman’s old friends and the gas guys are a bunch of rough-and-tumble, worn out, tattooed men who act like children during this game.  There is a hilarious argument over who won the game and when a fist fight breaks out between Herman’s own team members the gas guys timidly back down.

Herman is also treated to adventures that involve a wedding among a group of smugglers, a brief stay at a nomad Mongul camp, and a funeral for a local woman who has died.  Each of these adventures have a humorous side because of the bizarre settings and interesting characters involved.  The smugglers so appreciate Herman’s attendance at the wedding that they give him a pair of electric scissors, but are sorry to inform him that they don’t come with a warranty.

But each of Herman’s adventures also have a serious undertone as there is always a sense of danger looming about.  Herman is also being threatened by a group of local Oligarchs who are trying to force him to sell his gas station.  But once again loyalty works in Herman’s favor when his friends show up to help him out; despite any danger they might face, they would not think of having it any other way.  Life in this city is not easy for Herman or for anyone else but a sense of belonging in this decrepit place is what keeps Herman in Voroshilovgrad permanently.

The word Odyssey keeps coming to mind as I think about this book.  The various road trips and trips on foot that Herman takes, his encounters with villains and good people trying to help him make for a meandering and adventurous story full of strange characters.  All the while Herman gravitates towards home which, in his heart, is where he knows he truly wants to be.

For an excerpt of this book and more information please visit the Deep Vellum website: http://deepvellum.org/product/voroshilovgrad/

About the Author:
ZhadanSerhiy Zhadan is one of the key voices in contemporary Ukrainian literature: his poetry and novels have enjoyed popularity both at home and abroad. He has twice won BBC Ukraine’s Book of the Year (2006 and 2010) and has twice been nominated as Russian GQ’s “Man of the Year” in their writers category. Writing is just one of his many interests, which also include singing in a band, translating poetry and organizing literary festivals. Zhadan was born in Starobilsk, Luhansk Oblast, and graduated from Kharkiv University in 1996, then spent three years as a graduate student of philology. He taught Ukrainian and world literature from 2000 to 2004, and thereafter retired from teaching. Zhadan’s poetry, novels, and short stories have been translated into over a dozen languages. In 2013, he helped lead the Euromaidan demonstrations in Kharkiv, and in 2014, he was assaulted outside the administration building in Kharkiv, an incident that gained notoriety around the world, including a feature article in the New Yorker. He lives and works in Kharkiv.

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Review: Tolstoy, Rasputin, Others and Me by Teffi

My Review:
TeffiThis book is a collection of autobiographical essays from the renowned, female Russian author Teffi.  The essays were all written during the early part of the twentieth century and reflect Teffi’s own struggles with having to flee a turbulent and oppressive Russia.  The collection is divided into four parts, the first of which is entitled “How I Live and Work.”  These first few essays in the book capture her inner thoughts and self-doubts as she becomes Teffi “The Author.”

The second part of the book, “Staging Posts” deals with various aspects of Teffi’s personal life from her upbringing in a wealthy Russian family to her emigration to Paris during the Russian Civil War to her time in France during the German Occupation.   Teffi is well-known for her wit, but these essays show us an emotionally tender and serious woman.  She begins her essay entitled “Valya” on a sad and brutally honest note: “I was in my twenty-first year.  She, my daughter, was in her fourth.  We were not well matched.”  In this essay Teffi has a difficult time connecting with her daughter and I was not surprised to find out that her marriage was dreadfully unhappy and she eventually leaves her family in order to pursue her writing career.

My favorite essay in the third section of the book “Heady Days: Revolutions and Civil War” is the one that describes Teffi’s bizarre encounters with Rasputin.  This essay is a perfect example of Teffi’s ability to write a humorous essay but also to display her serious and emotional side.  When Teffi meets Rasputin, he is smitten with her and he tries to seduce her.  But Teffi sees right through his act; although many women have fallen for his smooth words and intimate gestures, Teffi finds his behavior strange and a little pathetic.  Rasputin comes across as a buffoon and we do laugh at his antics, but at the same time we also feel sorry for this ridiculous man who is finally killed by one of the many assassins who are after him.

The fourth and final part of the book is dedicated to some of the famous authors and artists that Teffi has come in contact with.  At the age of thirteen Teffi is enthralled with Tolstoy’s War and Peace.  She is so distraught by the death of Prince Andrei in this novel that she is determined to meet the author and ask him to change the story.   Teffi shows up at Tolstoy’s home but is so flabbergasted to meet him that all she can do is ask for his autograph and slink away in embarrassment.

The quality that comes through in every one of these essays is Teffi’s innate ability to read and truly understand people.  When she meets Lenin she senses a man who is crafty and cunning.  She meets many famous people throughout her life, from the Russian poet and novelist Merezhkovsky to the artist Repin to various other writers, journalists and politicians.  She is never fooled by the façade of their importance but instead she sees the true humanity beyond the exterior.

I have to admit that I am smitten with Teffi after reading this one volume from NYRB classics.  I ordered three more of Teffi’s books after I finished this one. I don’t think I’ve done Teffi’s writing justice in this brief review and so everyone must read a least one of her essays to experience her brilliant writing.

About the Author:
Teffi PicTeffi was a Russian humorist writer. Teffi is a pseudonym. Her real name was Nadezhda Alexandrovna Lokhvitskaya (Наде́жда Алекса́ндровна Лoхви́цкая); after her marriage Nadezhda Alexandrovna Buchinskaya (Бучи́нская). Together with Arkady Averchenko she was one of the most prominent authors of the Satiricon magazine.

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Filed under Classics, Literature in Translation, New York Review of Books, Nonfiction, Russian Literature

Review: Oblivion by Sergei Lebedev

The first book that I read from New Vessel Press was Guys Like Me and ever since then I have sought out their books again and again.  I received an advanced review copy of this title through Edelweiss.  This title was published in the original Russian in 2015 and this English version has been translated by Antonina W. Buois.

My Review:
Oblivion I have been captivated by the plethora of post-Soviet literature that has been published just in the last year alone.  The theme that is the most haunting to me is the one of waste: all of those wasted lives, all of that wasted time, and for what purpose?  I remember the attitude towards the Soviets in the 1980’s with the “us”, the free American democracy, versus “them”, the oppressive Soviet totalitarian regime, propaganda.  It seemed that the Soviet Union wanted everyone to believe that, not only was their system the best in the world, but their people were happy and thrived under that system.  But recent post-Soviet books, like Oblivion, have proven that this ideal that their leaders put forth could not be further from the truth.

When Oblivion opens, the narrator is middle-aged and living in Greece.  He is reminiscing about his childhood back in a dacha in the Soviet Union.  The one character from his childhood that looms over and dominates every memory he has is a man he calls Grandfather II.  He begins with an ominous sentence that states it was Grandfather II who decided his fate and the course of his entire life.  Grandfather II was an old, blind man who moved into the dacha and about whom no one asked any questions.

There are hints in the text that Grandfather II has a shady past that somehow involved the horrible gulag system.  He is adopted by his neighbors, especially the narrator’s family, as a sort of kindly and innocuous grandfather figure, and thus his nickname.  But the narrator has a very different view and opinion of this man which is chilling and frightening.  There is nothing that Grandfather II specifically does that is cruel to the boy or his family.  But Grandfather II has a presence and a demeanor that evokes feelings of fear and dread.

The narrator is further haunted by Grandfather II when, as a boy of about nine, he is attacked by a wild dog and Grandfather II comes to his rescue by crushing the dog’s spine.  The narrator is brought to the hospital on the brink of death because he has lost so much blood.  Grandfather II, despite being an old man, insists that he give his own blood to save the boy’s life.  Grandfather II’s heroic act saves the boy but in the end his own life is sacrificed because he was too old and weak to give up his blood.

The narrator is haunted for the rest of his like that he has this old man’s blood pulsing through his veins.  He decides that he must go on a quest to find out more about his mysterious man’s past and this leads him to a mining town near the Arctic Circle.  The mining town is a pathetic waste and shell of a town that was once home to a prison camp where its inhabitants worked in the mine.  When the narrator arrives in this northern town the prisoners are long gone, but the remains of the camp are still an eerie reminder of this wretched and miserable part of Soviet history.  The narrator confirms that Grandfather II was a founder of this mining town and in charge of the prison camps.  The most disturbing part of this this journey, however, is when the narrator realizes what a cruel and inhuman person Grandfather II really was.  The saddest part of the narrative, for me, was learning about Grandfather II’s seven year-old son was also subjected to this man’s insistence on dominating and controlling everyone and everything in his life.

Finally, I have to say a few words about the densely poetic language that the author uses for his tale.  It took me longer than it normally would to read a 300-page book because the sentences were so masterfully created that I oftentimes found myself reading entire sections more than once.  There is a dream sequence in the middle of the book during which the narrator has a series of three dreams just before he is about to embark on his journey to the north.  This section could almost stand on its own as a poetic and metaphorical reconstruction of the oppression and unjust treatment that so many suffered under this totalitarian regime.

Oblivion is a haunting, intense, descriptive literary Odyssey that you will not soon forgot.  The language that Lebedev employs and the detailed stories he tells ensures that the experiences of life under Soviet rule will indeed not fade into Oblivion.

About the Author:
S LebedevSergei Lebedev was born in Moscow in 1981 and worked for seven years on geological expeditions in northern Russia and Central Asia. Lebedev is a poet, essayist and journalist. Oblivion, his first novel, has been translated into many languages. Lebedev’s second novel, Year of the Comet, is coming out from New Vessel Press in 2017.

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Filed under Literature in Translation, Russian Literature

Review: The Voronezh Notebooks by Osip Mandelstam

My Review:
MandelstamThis edition of Mandelstam’s Voronezh Notebooks, recently published by the New York Review of Books, is a collection eighty nine verses the Russian poet wrote while he was exiled to the city of Voronezh.  During the early 1930’s Mandelstam wrote and published poetry that mocked and criticized Stalin and so it is no surprise that he was arrested and sent into exile.  During part of his exile he was allowed to live in Voronezh which was a bit more civilized as far as Russian exiles were concerned.  He was lucky that his wife Nadezhda was allowed to go with him and if it were not for her then much of his poetry would have been lost to us.

The first notebook contains poetry written between April and July of 1935.  All of the poems are numbered as well as dated.  In this first series of poems we understand that Mandelstam is relieved to be in Voronezh although he by no means feels at home in this city.  He lives is a crowded boarding house that he describes as a “coffin” in the first poem.  He and his wife have no privacy and they hear every movement and sound of their neighbors.  In the third poem he begs Voronezh to have mercy on him and “restore” him but throughout these poems we get the sense that he feels hemmed in, claustrophobic and hopeless.

The second Notebook beings in December of 1936 and goes through February of 1937.  The imagery of winter that one encounters in these poems are particularly striking.  He describes this season as a “postponed present” because the length of its extent is always uncertain.  Poem #37 is one of my favorites from this collection; he admires the goldfinch who “curses the sticks and perches of his prison.”  He admires this  bird who makes so much noise and is “disobedient.”

The final notebook is written between March and May of 1937.  As I have already hinted at through his writing of winter and the goldfinch, Mandelstam’s lines abound with images of nature and the forest.  In the introduction to this volume, Andrew Davis, the translator, tells us that Mandelstam composed these verses in his head while he was walking.  He seems to have done a great deal of exploring his natural surroundings and appreciated, even for a few hours, the illusion of freedom which they provided.  But Mandelstam realizes that his stay in Voronezh is not his own choice and he is still a captive of a fascist regime.  In Poem #72, for example, he writes of the night sky and the stars which he is fighting against as they hem him in and suffocate him; although the sky appears limitless, he is stuck under the sky that only encompasses this city.    In Poems #76 he declares, “I am ready to roam where the sky is greater.”

Finally, in his introduction to the collection Davis points out that the Notebooks were saved through the extraordinary efforts of his wife who, even after his death, saved pieces of them in teapots and other small places hidden around her apartment.  Each day she would practice memorizing them and Davis explains that “she made it her life’s work to preserve her husband’s poetry.”  Because of her act of devotion and bravery this seemed to me like a fitting collection to review as we celebrate and acknowledge those we love on this upcoming Valentine’s Day.

 

About the Author:
OsipOsip Mandelstam was a Russian poet and essayist who lived in Russia during and after its revolution and the rise of the Soviet Union. He was one of the foremost members of the Acmeist school of poets. He was arrested by Joseph Stalin’s government during the repression of the 1930s and sent into internal exile with his wife Nadezhda. Given a reprieve of sorts, they moved to Voronezh in southwestern Russia. In 1938 Mandelstam was arrested again and sentenced to a camp in Siberia. He died that year at a transit camp.

The translator has written a wonderful article about the difficulties of translating Mandelstam’s poems from Russian to English that I encourage everyone to read: https://psa.fcny.org/psa/poetry/crossroads/own_words/Osip_Mandelstam/

 

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Filed under Literature in Translation, New York Review of Books, Osip Mandelstam, Poetry, Russian Literature

Review: Two Novellas from Flaubert and Dostoevsky

I recently stumbled across a sale that Melville House Publishers was having on their novella series.  They have released 56 novellas from famous authors across the world.  I chose two titles, A Simple Heart by Gustave Flaubert and The Eternal Husband by Fodor Dostoevsky to review here.  Please check out all of the great titles in their selection.  You can even buy a subscription to the novella series and have novellas show up on your doorstep every month: http://www.mhpbooks.com/series/the-art-of-the-novella/

A Simple Heart by Gustave Flaubert:
A simple heartThis novella introduces us to a simple servant woman who is cast out of her own home as an orphan at an early age and searches for intimacy and love for the rest of her life.  Felicite falls in love with a young man who ends up rejecting her so that he can marry a rich, old widow and avoid conscription.  After this disappointing heartache, Felicite never finds another man that she can trust her heart to.  When she comes into the service of Madame Aubain, a young widow with two small children, she is the most faithful and loyal servant anyone could ask for.  Felicite bestows love on the two children who eventually leave home for school and meet a sorrowful end due to illness.  Felicite is also given a parrot which she lavishes with love and attention.  But, like everyone else in her life that she has loved, he dies and leaves her.  This is not a tale with a happy ending but gives us a realistic view of life, love and loss.

 

The Eternal Husband by Fodor Dostoevsky:
The eternal husbandThe story opens with Velchaninov living in St. Petersburg in an apartment flat by himself trying to iron out the details of a lawsuit.  He has become increasingly depressed and melancholy and has eventually cut himself off from all of his friends and acquaintances.  One day an old friend, whom he has not seen for nine years, shows up on Velchaninov’s doorstep.  He is stunned to see his friend after so many years and further shocked when Trusotsky announces that his wife has died of consumption.  Velchaninov had an affair with Trusotsky’s wife and that is the main reason he hadn’t visited the couple for nine years.  When Trusotsky’s wife broke the affair off, Velchaninov vowed never to see either of the again.

Velchaninov describes Trusotsky as “an eternal husband,” which to him means a man that is subservient to a domineering wife.  Nowadays we might call Trusotsky “henpecked” or “whipped.”  Trusotsky descends into a depression that is fueled by excessive drinking; he turns out to be a man who cannot live without a wife, who cannot operate in the world without the confines of a marriage.  In typical Dostoevsky fashion, we get a glimpse into the male psyche and an interesting and ironic storyline.  I thoroughly enjoyed this story as much as his longer works.

According to the Melville House website, novellas are oftentimes ignored by academics and publishers.  I would love to hear about other readers’ favorite choices as far as this overlooked style of writing.  Do you like novellas and, if so, what are some of your favorites?

 

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Filed under Classics, France, Literature in Translation, Novella, Russian Literature