“Love stories must never be left unfinished and when harsh reality has cut the thread before its time, then it must be spun out artificially.” This seems to capture perfectly the sad fate that Fontane writes for the married couples in both Effi Briest and Irretrievable. Each story features a marriage in which, although a minor indiscretion has occurred, one of the spouses chooses a desperate and unnecessary end to their relationship, their family and their lives.
Set between 1859-1861 in Schleswig-Holstein, five years before the German-Danish War, the novel deals with Count Helmut Holk who has been married to his beautiful and devout wife Christine Arne for twenty years. Even though they have very different personalities—he is easygoing, indecisive and not spiritual, she is moralistic, self-righteous and cold— their attraction, admiration and affection for one another, at first, was rather strong. They build and move into a beautiful castle that overlooks the sea. And they have two teenage children, a boy and a girl, for whom Christine is searching out boarding schools that will provide them the best education. Schleswig-Holstein at this point in time is still ruled by Denmark and the Count has an important position as an attendant at the court of the Danish princess. Just before the Count leaves his family to serve the princess in Copenhagen for several months, there are signs that the Holks’ marriage is starting to show signs of wearing thin on both of their nerves. Fontane describes Christine’s thoughts just before the Count is called to Denmark:
In spite of having the best of husbands whom she loved as much as he loved her, she yet did not possess that peace for which she longed; in spite of all their love, his easy-going temperament was no longer in harmony with her melancholy, as recent arguments had proved to her more than once to an ever-increasing degree and even though she would strive with all her might to resist her tendency to disagree.
I felt that Holk was the more sympathetic of the two characters throughout the story. Fontane lets us view the marriage from the outside, through the eyes of Christine’s brother and two local clergymen, who all agree that her moralizing and constant judgment of her husband is too much and is driving them further apart. When Holk goes to Copenhagen, the time, distance and experiences with the Princess force him to realize that what he really wants is a partner who gives him warmth, affection and understanding;
Ah, all that bickering and nagging! I’m longing for a new life, one that doesn’t begin and end with religious tracts, I want harmony in my home, not a harmonium, joy and mutual understanding and air and light and freedom. That’s what I want and that’s what I have always wanted, ever since the first day I arrived here, and now I’ve been given the sign that I’m going to be allowed to have it.
I also found the Count’s naivete, especially when he encounters the women in Copenhagen, to be amusing and even endearing. He is especially captivated by Ebba, the princess’s lady-in-waiting, who flirts with him and uses him for one night of unbridled passion which the Count is clearly not accustomed to. But he figures out too late that Ebba is just using him as a temporary amusement and his wife, for the better part of a year, will not forgive his indiscretion. Holk is a character that develops a great deal of personal knowledge and growth in Fontane’s narrative so I found it disappointing that he would even consider going back to Christine; she is still the same dour, melancholy woman he married and their time apart didn’t change that. He learns the hard way that any happy times that they had previously are irretrievable, there is no way back to the past.
As Fontane says in the novel, a love story can’t have a non-ending—the author couldn’t possibly allow Holk and Christine to live together in their castle, no matter how miserable they make each other. It’s interesting to note that in Effi Briest, it is Effi’s husband that is the morally stringent, destructive force in the novel because in Irretrievable it is the wife that plays this role. It is Christine that makes a fatal, ruinous decision (I won’t give it away) that brings a definitive end to their love story, their marriage and the novel.
I am thoroughly enjoying Fontane’s novels and I have a volume of his shorter works that is published by The German Library to look forward to.
(I read the NYRB Classics translation entitled Irretrievable but this novel has also been translated into English as Beyond Recall and No Way Back.)
Effi Briest, the tragic, eponymous heroine of Fontane’s novel, is the only child of a German aristocratic couple living on an idyllic country estate outside of Berlin. When Effi is seventeen years old, she is married off to Baron Geert von Innstetten who is twenty years her senior. In addition to the age gap, their very different views on life doom the marriage from achieving any peace and contentment from the start.
Olivier Bertin is a painter in late nineteenth century Paris and his most famous work, his Cleopatra, has earned him enough fame to be sought out by the rich and famous of high society. He is not interested in any romantic relationships with the bourgeois women he paints because he feels that are insipid and boring. At a party one night, however, he meets the Countess Ann de Guilleroy and is immediately captivated by her beauty and charm and decides he must do her portrait. As Bertin paints the Countess in his studio, the two have stimulating conversations and enjoy one another’s company more and more.
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