Category Archives: New York Review of Books

Review: Talk by Linda Rosenkrantz

I received an advanced review copy of this title from The New York Review of Books through Edelweiss.

My Review:
TalkThis is one of those books that is difficult to classify in a specific genre.  It is biographical, but it is does not take the form of a traditional narrative like most biographies.  The author taped the conversations of three people, Marsha, Vincent and Emily, during the summer of 1965 while they vacationed on the beaches of East Hampton and transcribed their dialogue into this book form.  The result is a straightforward, raw and, at times, shocking series of conversations on which we are “eavesdropping.”

There are several topics and themes that keep cropping up in the conversations of these three friends.  First and foremost is their many failed relationships.  None of them can sustain a long-term love interest and they all seem to have different reasons for being unlucky in love.  Emily is still hung up on an old boyfriend with whom she lived in France, Vincent is gay and can’t quite seem to find someone to confide in like he does with Marsha, and Marsha seems to be in love with her gay best friend Vincent.  All three of them are in psychotherapy trying to iron out their problems and they like to sit around an analyze their therapy sessions.

Another topic that keeps bubbling to the surface is their childhoods.  Marsha and Emily, in particular, like to share stories about their younger years and their parents.  Emily tells a particularly horrifying yet funny story about a neighbor’s doll which she covets and then ends up destroying so she doesn’t have to give it back.  There seems to be a contest among them as to whom has had the most twisted and ridiculous stories from their younger years.

The most common, and shocking topic among the three is sex.  They talk about anything and everything.  They talk about who they are attracted to, who they will and won’t sleep with; no aspect of sex is off the table–ménage, S&M, orgies, abortion, masturbation are all covered.  Marsha goes into great detail describing a boyfriend who like to tie her up, hang her on a wall, and whip her.  TALK can be considered the original 50 Shades of Grey, only Marsha is smart enough to realize that this is not a healthy relationship and she quickly moves on.  I had to keep reminding myself that this book was written fifty years ago because their conversations could have just as easily have taken place today.  All three friends are 30 years old and have come to a crossroads in their lives; will they ever find the right one and get married and settle down?  Is marriage really something that they could or should even consider?  Rosenkrantz was progressive and brave not to filter any of the talk among these friends.

The New York Review of Books Classics imprints are my favorites to read.  They have provided us with another fascinating, relevant and interesting book.  You will definitely want to grab this one for the beach.

About The Author:
Linda Rosenkrantz is the author of several books of fiction and nonfiction, including Telegram, a history of the telegraphic communication, and her memoir, My Life as a List: 207 Things About My (Bronx) Childhood, and the co-author of Gone Hollywood: The Movie Colony in the Golden Age. She was also the founding editor of Auction magazine, a long-time syndicated columnist, and a founder of the popular baby-naming site Nameberry.com. She currently resides in Los Angeles.

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Filed under Classics, Literary Fiction, New York Review of Books

Review: A View of the Harbour by Elizabeth Taylor

I received an advanced review copy of this title from The New York Review of Books.  Please visit their website for a full list of their classics collection of which I am a big fan: http://www.nybooks.com/books/browse/all/?imprint=classics

My Review:
A View of the HarbourThis novel is about a group of year-round inhabitants of a small harbor town in England.  The main focus of the book is on Beth and Robert and their mundane, tired marriage.  They have fallen into a routine that Robert feels is boring and lifeless and Beth is so absorbed writing novels that she hardly seems to notice.  Beth is also not observant enough to detect the growing attraction between Robert and Beth’s best friend, Tory, who lives next door to them.

Tory and Robert are prone to stolen moments of kisses, embraces and meaningful looks and we are kept in suspense throughout the book as to whether or not they will consummate their relationship.  The matter becomes even  more complicated when Robert’s teenage daughter, Prudence, discovers that Robert and Beth have feelings for one another.  The mounting tension of this love triangle and Prudence’s knowledge of it prove for a page-turning read in which, no matter the outcome, someone is going to be left miserable and heartbroken.

The cast of characters that Taylor provides in this novel are multifaceted.  Bertram is an older man who has retired from the navy and lives above the town pub.  He has a way of charming himself into everyone’s life and he is especially drawn towards Tory; he has visions of himself finally settling down by marrying her.  Taylor hints that Bertram’s life has been itinerant and wandering and when the local gossip is dying he vows, for once, to sit by her deathbed and give her comfort until the bitter end.

Lily Wilson is a young widow who lives alone in a creepy wax museum that she inherited from her husband.  She is terribly lonely and afraid at night and spends a lot of time in the pub looking for company.  Taylor mentions her more at the beginning of the novel and Lily gradually drops out of site.  We are never completely sure what happens to her but there are hints that she finds sordid ways to deal with her grief.

We are also treated to the story of the town gossip, Mrs. Bracey, who has been an invalid for years and relies on her daughters Iris and Maisie to wait on her hand and foot.  Maisie has feelings for Eddie, a town fisherman, but her mother keeps interfering in her daughter’s attempt at any time of marriage or happiness.  It seems that no one in this small town has any hope of finding peace or love or a “happily-ever-after.”

I highly recommend A VIEW OF THE HARBOUR for your summer reading list.  The seaside setting, an interesting cast of characters and Taylor’s lovely prose make this another great read from The New York Review of Books.

About The Author:
Elizabeth TaylorElizabeth Taylor (née Coles) was a popular English novelist and short story writer. Elizabeth Coles was born in Reading, Berkshire in 1912. She was educated at The Abbey School, Reading, and worked as a governess, as a tutor and as a librarian.

In 1936, she married John Micael, a businessman. She lived in Penn, Buckinghamshire, for almost all her married life. Her first novel, At Mrs. Lippincote’s, was published in 1945 and was followed by eleven more. Her short stories were published in various magazines and collected in four volumes. She also wrote a children’s book.

Taylor’s work is mainly concerned with the nuances of “everyday” life and situations, which she writes about with dexterity. Her shrewd but affectionate portrayals of middle class and upper middle class English life won her an audience of discriminating readers, as well as loyal friends in the world of letters. She was a friend of the novelist Ivy Compton-Burnett and of the novelist and critic Robert Liddell. Elizabeth Taylor died at age 63 of cancer.

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Filed under Classics, Literature/Fiction, New York Review of Books, Summer Reading

Review: A Game of Hide and Seek by Elizabeth Taylor

I bought this title a few months back when the New York Review of Books had a fantastic winter sale.  Please visit their website for a full list of their amazing titles: http://www.nybooks.com/books/imprints/classics/

My Review:
A Game of Hide and SeekHarriet and Vessey have known each other for their entire lives.  When they turn eighteen there is a physical and emotional attraction between them which neither one feels comfortable or mature enough to acknowledge.  When they babysit Vessey’s younger cousins, they play hide and seek with the children so they can be together; they are so shy and naive that they don’t take advantage of this time alone while they are hiding to reveal their true feelings.

When Vessey moves away and goes to college and eventually begins his second rate acting career, Harriet settles down with a comfortable and safe man named Charles.  But for the duration of her married life she holds Charles up to her ideal image of Vessey against which fantasy Charles could never compete.  Harriet tries to make the most of her marriage by keeping a tidy home and taking care of their daughter Betsey.  But there is a feeling of loneliness and isolation that pervades Harriet’s life.

Taylor also shows us her comedic side in this otherwise serious novel through the introduction of a group of spinster ladies with whom Harriet works at a local dress shop.  They spend their days avoiding work, gossiping, primping themselves and discussing their latest male conquests.  They give Harriet who at this point is still unmarried, the worst relationship advice.

An aspect of Taylor’s writing style in this book that is worth mentioning is her transitions both within chapters and between chapters; time shifts very abruptly in the novel which is fitting for the topics of love, marriage and how our opinions of these things change, sometimes rather drastically, as we grow older.  When Vessey reappears in Harriet’s life she is middle-aged and well-settled in her marriage.  Will she choose a life with Vessey that she has idealized for so many years or will she stay with her husband and daughter and keep her family together.

A GAME OF HIDE AND SEEK is a wonderful novel to begin with if you want to sample Elizabeth Taylor’s work.  In June I will be reading and reviewing her novel A View of the Harbour, which is another reissue from The New York Review of Books.

About The Author:
Elizabeth TaylorElizabeth Taylor (née Coles) was a popular English novelist and short story writer. Elizabeth Coles was born in Reading, Berkshire in 1912. She was educated at The Abbey School, Reading, and worked as a governess, as a tutor and as a librarian.

In 1936, she married John Micael, a businessman. She lived in Penn, Buckinghamshire, for almost all her married life.

Her first novel, At Mrs. Lippincote’s, was published in 1945 and was followed by eleven more. Her short stories were published in various magazines and collected in four volumes. She also wrote a children’s book.

Taylor’s work is mainly concerned with the nuances of “everyday” life and situations, which she writes about with dexterity. Her shrewd but affectionate portrayals of middle class and upper middle class English life won her an audience of discriminating readers, as well as loyal friends in the world of letters.

She was a friend of the novelist Ivy Compton-Burnett and of the novelist and critic Robert Liddell.

Elizabeth Taylor died at age 63 of cancer.

 

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Filed under Classics, Literary Fiction, New York Review of Books

Review: Ending Up by Kingsley Amis

I received an advanced review copy from The New York Review of books. Please visit their website for the full collection of their classics series: http://www.nybooks.com/books/imprints/classics/.

My Review:
Ending UpIn this comedy about old age, Amis provides us with a geriatric cast of characters living under the same roof who are basically trying to stay as comfortable and happy as possible before they die.  There are five septuagenarians in total, three men and two women.  Although they want nothing put peace in their final years, they manage to annoy each other and bicker to the point where peace is the last thing that any one of them is going find.

Adela is the one who holds the whole operation together by paying the bills, doing all of the cooking and shopping and generally trying to make peace among her roommates.  She is not the most attractive woman and she has never been married but she is the caretaker to everyone in the house to the point that she ignores her own health issues.

Adela’s brother Bernand, the most cantankerous one of the bunch, is also the most amusing.  He has a bad leg which seems to be better or worse, depending on whether or not he is asked to do physical labor.  He provokes the others into arguments during conversation for his own amusement and he is very fond of attempting practical jokes.  His favorite weapons are stink bombs, feces, a squirt gun and urine.

A happy drunk named Shorty is also one of the residents of the cottage.  Shorty loves alcohol and he thinks he is fooling everyone about his habit by hiding bottles all over the house.  He is also the servant of the group and is always cleaning up and serving tea.  Shorty and Bernard are actually ex-lovers, which fact produces a few bawdy jokes throughout the book.

The other woman in the group is a flighty woman named Marigold.  Marigold loves to write letters, spend time with her grandchildren and do everything she can to avoid Bernard.  When Marigold starts losing her memory, she is desperate to keep this secret from Bernard whom she is sure will use this information against her.

The last member of the household is George, a former brother-in-law of Bernard.  George is a kindly old professor who has had a stroke and cannot get around on his own.  The group has taken him in because he has no where else to go and Bernard is not happy about this situation.

ENDING UP is a funny novel about the inevitability of growing old and dealing with the vast array of issues that come along with this mortal condition.  It is ironic and funny that each of these septuagenarians are responsible for his or her own demise at the end of the book.  Thanks again to the New York Review of Books for reviving another great classics.

About The Author:
AmisSir Kingsley William Amis, CBE was an English novelist, poet, critic, and teacher. He wrote more than twenty novels, three collections of poetry, short stories, radio and television scripts, and books of social and literary criticism. He fathered the English novelist Martin Amis.

Kingsley Amis was born in Clapham, Wandsworth, Couty of London (now South London), England, the son of William Robert Amis, a mustard manufacturer’s clerk. He began his education at the City of London School, and went up to St. John’s College, Oxford April 1941 to read English; it was there that he met Philip Larkin, with whom he formed the most important friendship of his life. After only a year, he was called up for Army service in July 1942. After serving in the Royal Corps of Signals in the Second World War, Amis returned to Oxford in October 1945 to complete his degree. Although he worked hard and got a first in English in 1947, he had by then decided to give much of his time to writing.

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Filed under Classics, Humor, Literary Fiction, New York Review of Books

Review: Prometheus Bound by Aeschylus

I received a review copy of this title from The New York Review of Books through Edelweiss.  As my regular readers know, I am a big fan of their line of classics.  For more information on their titles visit their website: http://www.nybooks.com/books/imprints/classics/.

My Review:
PrometheusI have to admit that when I found out that the translator of this ancient classic drama is not himself a classicist and does not know Ancient Greek I was rather skeptical.  After reading the introduction to the work, however, I began to come around to the idea that Joel Agee was capable of giving us a modern rendition of this play while making it accessible to a 21st century audience.  Agee describes his process of consulting older, literal translations as well as consulting experts in Ancient Greek philology.  The result is an impressive translation of one of the oldest Greek dramas in existence.

Prometheus is a Titan and in Zeus’ fight against the generation of Titans, Prometheus knows that Zeus will reign supreme and so Prometheus wisely takes the side of the god of thunder.  Yet, after his defense of Zeus, Prometheus betrays him by stealing fire for mankind.  As his name in Greek tells us, Prometheus is literally “forethought,” he knows what will happen before anyone else.  So we might wonder why Prometheus chose to steal fire from Zeus and gift it to humans if he understands perfectly well that his punishment from Zeus will be long-lasting and most severe.

When the play opens Prometheus is being chained to a rock by Hephaistos for his crimes against Zeus.  Zeus is about to destroy man and create a new race of beings when Prometheus gives these pathetic humans the gift of fire.  Fire allows them many things, including warmth, food, light, and civilization.  Prometheus becomes the champion of civilized societies, artists and those who fight against any form of tyranny.

One of the most interesting aspects of this play is the fact that Zeus himself is not a character and never speaks a word.  Zeus’ thugs, or henchmen, which include Kratos (Power), Bia (Force), Hephaistos and Hermes speak on his behalf.  The Chorus in the play is a group of water-nymphs, the Oceanids, who are horrified at and sympathetic to Prometheus’ sufferings.  The other female in the play, which I have always found to be an interesting choice, is Io who also explains her path of suffering which is caused by Zeus.  Io and Prometheus commiserate with one another and Prometheus, even though he is tortured, still manages to give Io hope about her own situation and her release from torment.  It is Io’s progeny who will ultimately be responsible for freeing Prometheus.

Prometheus Bound is not the most action oriented of the early Greek dramas yet, it is one of the more thought-provoking: Is Prometheus the champion of mankind who opposes all manner of tyranny or is he a dangerous revolutionary who challenges the authority that is necessary to maintain order and justice?

Thanks to the New York Review of Books Classics series for providing us with another great translation of a classic.

About The Authors:
Aeschylus (525 BC–456 BC), the first of ancient Greece’s major dramatists, is considered the father of Greek tragedy. He is said to have been the author of as many as ninety plays, of which seven survive.

Joel Agee is a writer and translator. He has received several prizes, including the Berlin Prize of the American Academy in Berlin in 2008 and the Helen and Kurt Wolff Prize for his translation of Heinrich von Kleist’s verse play Penthesilea. He is the author of two memoirs—Twelve Years: An American Boyhood in East Germany and, more recently, In the House of My Fear. His translation of Prometheus Bound was produced at the Getty Villa in 2013. He lives in Brooklyn, New York.

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