I received a review copy of this title from the publisher, Orenda Books. This book was first published in Iceland in 2010 and this English translation has been done by Quentin Bates.
My Review:
I don’t usually read many mystery or crime novels, but when Orenda Books asked me to review some of the books in their catalog the descriptions of them convinced me to give them a try. This book is much more than a typical crime novel; it delves into the lives of several characters in a small isolated town in northern Iceland. The atmosophere of the book is also a surprise as the scenes are set in a small, isolated, cold, and snow-covered town.
Ari Thor lives in Reykjavik with his girlfriend Kristin and is studying to become a police officer. For the first time in his life he is very much in love and feels that he and Kristin will make a life and a future together. When he gets his first job in Siglufjörður, a small village in northern Iceland, he is torn about whether or not to take it. Kristin is finishing her medical degree in Reykjavik so there is no way that she can go with him. Taking this new job will mean a separation, for as long as a year or two, from Kristin. But Ari Thor believes that this job is a great opportunity and accepts the position anyway; he leaves Kristin behind and is heartbroken that their future together is uncertain.
Siglufjörður is supposed to be a town where no one locks their doors, where everyone knows each other, and where nothing exciting ever happens. So it is either bad luck or bad timing that, when Ari Thor becomes the town’s newest police officer, two murders happen within days of each other.
The first murder, which many think at first is just an accident, happens at the local dramatic society. The director of the society, a very old man in his nineties who is prone to drinking too much, takes a nasty fall down the stairs during a rehearsal break. At first the incident is thought to be an accident, but as the story develops it appears that several people in the dramatic society are capable of pushing the old man down the stairs. One of the greatest strengths of the book is the development of several characters who belong to the society and work in the theater. My experience with crime novels has been that characters are not deeply developed as the focus is on the plot. But Jonasson gives us an interesting set of characters with well-developed descriptions of their history in the town and their relationships with one another.
A second murder also takes places in this small town. A woman is found stabbed to death outside her home and her abusive husband is the primary suspect. But the husband has an alibi for the time during which the murder took place. So it is up to Ari Thor to untangle this mystery. Another strength of the book is that the author is able to weave two different mysteries into the plot without the story being too cumbersome or confusing.
The final aspect of the book that I have to mention is Ari Thor’s descriptions of Siglufjörður which, even to Icelanders, is on the edge of nowhere. It snows so much that Ari Thor begins to feel trapped and claustrophobic in this place. The snow and the cold never stop and when the only road in or out of the town is completely blocked by an avalanche his panic attacks and nightmares get worse. The vivid descriptions of the cold and snow and darkness were a perfect setting for this story. As it snowed here in New England last weekend when I was reading the book the setting felt especially apt.
Whether you are a fan of crime fiction, or like me, just enjoy dabbling in the genre here and there, Snowblind is an entertaining read. This book actually ends on a bit of a cliffhanger and I am eager to read the next book in this series and see what happens with Ari Thor.
About the Author:
His debut Snowblind, first in the Dark Iceland series, went to number one in the Amazon Kindle charts shortly after publication. The book was also a no. 1 Amazon Kindle bestseller in Australia.
Snowblind was selected by The Independent as one of the best crime novels of 2015 in the UK.
Books in the Dark Iceland series have been published in the UK, Germany, Poland and Iceland, and rights have also been sold to the USA, France and Italy.
Ragnar was born in Reykjavik, Iceland, where he works as a writer and a lawyer. He also teaches copyright law at Reykjavik University and has previously worked on radio and television, including as a TV-news reporter for the Icelandic National Broadcasting Service.
Ragnar is a member of the UK Crime Writers’ Association (CWA) and recently set up the first overseas chapter of the CWA, in Reykjavik.
He is also the co-founder of the Reykjavik international crime writing festival Iceland Noir.
From the age of 17, Ragnar translated 14 Agatha Christie novels into Icelandic.
Ragnar has also had short stories published internationally, including in the distinguished Ellery Queen’s Mystery Magazine in the US, the first stories by an Icelandic author in that magazine.
He has appeared on festival panels worldwide, and lives in Reykjavik with his wife and young daughters.
This is another gem that I discovered from 
Wassermann presents us with the story of Alexander Herzog and his disastrous marriage to a woman from a middle-class German family named Ganna. Alexander begins his tale with a history of Ganna’s childhood which seems to have a profound effect on her mental stability as an adult. Ganna is one of six daughters, fifth in line, and is described as a duckling among swans. She is not as pretty, graceful or demure as her sisters. Her disobedience and lying often result in brutal beatings from her father. No one ever thinks that Ganna could attract a man to marry; but Alexander, a young and up-and-coming writer, enters the scene and Ganna is smitten with him.
I know what my readers are thinking: You are reviewing a catalogue, how boring can that be? But please bear with me for a moment because the Seagull Catalogue of books is so much more than a listing and description of their forthcoming titles. It is a work of art, of literature and literature in translation in its own right.
and blindness and hindsight. His letter begins, “Man will pluck their eyes. This is known. Out of shame. And horror. Over a deed committed. Often more imagined than the truth. Sometimes as a gesture made drama.” The first two responses to his letter, from Reinhard Jirgl and Benedict Anderson, pick up on the idea of blindness as a punishment by referring to the Ancient Greek story of Oedipus.
The artwork that corresponds to the series of letters is equally as stunning. In one image a boy looks out the window of what appears to be a train;
in another a sculpture is being painted with the finishing touches and emphasis being put on the eyes;
and in yet another a raven is painted in black with its eye highlighted in a striking shade of red.
When the book opens the main character, Tomas, is at a party where he meets a girl that is twenty years his junior; despite their age difference they appear to have an instant connection. Tomas reflects on the famous literary couple of Abelard and Heloise who have a passionate and scandalous love affair despite their age gap. But things did not turn out very well for Abelard and Heloise, so is this Tomas’ way of foreshadowing what will happen with his own relationship?
Tomas Espedal debuted as a writer in 1988. In 1991, he won awards in the P2/Bokklubbens rome competition for She and I. Founder of the Bergen International Poetry Festival, Espedal’s later works explore the relationship between the novel and other genres such as essays, letters, diaries, autobiography and travelogue. Espedal’s Go. Or the Art of Living a Wild and Poetic Life (2006) and Nearly Art (2009) have been nominated for the Nordic Council Literature Prize.
The Book Binder's Daughter 